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Excerpt from the foreword by Bruno Zevi, at the beginning of the "Kibbutz+Bauhaus" book:
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Sharon as a man, - as pioneer and citizen, as an artist: could one risk separating such aspects or levels of a single, overflowing personality? Of course, here the architect is privileged; behind his forms, however, one cannot fail to grasp the human, spiritual and social aspirations of a people. This is partially true of all architects, because their work is always involved in a collective context; but for none, or perhaps only for very few others, is it evident in the same degree. In fact, Sharon could have been a driving force in the old-new land's adventure, even without being a leader and an architect; or could have been simply a key-figure in the profession, as he was after the 1948 War of Independence in Ben Gurion's technical office, and later as president of the Association of Engineers and Architects; or, again, he could have been strictly an artist in his own right. The inner meaning of his architecture derives from these pendular alternatives, from the joyful refusal to select one of them, reducing the range of his vital tentacles.
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Excerpt from the foreword by Bruno Zevi, at the beginning of the "Kibbutz+Bauhaus" book:
...
Sharon as a man, - as pioneer and citizen, as an artist: could one risk separating such aspects or levels of a single, overflowing personality? Of course, here the architect is privileged; behind his forms, however, one cannot fail to grasp the human, spiritual and social aspirations of a people. This is partially true of all architects, because their work is always involved in a collective context; but for none, or perhaps only for very few others, is it evident in the same degree. In fact, Sharon could have been a driving force in the old-new land's adventure, even without being a leader and an architect; or could have been simply a key-figure in the profession, as he was after the 1948 War of Independence in Ben Gurion's technical office, and later as president of the Association of Engineers and Architects; or, again, he could have been strictly an artist in his own right. The inner meaning of his architecture derives from these pendular alternatives, from the joyful refusal to select one of them, reducing the range of his vital tentacles.
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